Photography as Algorithmic Memory, the Algorithm as Collective Eye

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We live in an era where photography—long the bastion of memory and testimony—finds itself suddenly joined by images that emerge not from light, but from lines of code. In this
dialogue between recorded reality and simulated reality, the Stories.AI series moves with
an oblique, poetic intelligence, weaving together seemingly irreconcilable languages

and sensibilities: analog photography and generative art, the visual culture of the past and the algorithmic aesthetics of the present.

At the heart of Stories.AI lie contradictory narratives: from “Yakuza in a Jacuzzi,” which fuses pop irreverence with mafia iconography, to “The New Social Model,” an icy portrait of technologies that redefine human relationships; from “Children Invasion,” an unsettling reflection on urban spaces overrun by innocence, to “Together Apart,” a poetic mirror of our new forms of virtual sociability.

Photography vs. generative Art? No: hybridization.

In a context where photographic art is often perceived in Web3 as a “closed,” definitive language, Stories.AI upends that perspective: the photograph becomes living material, flexible and permeable to algorithmic manipulation.
In “Dispenser,” the façade of a modern dispenser of sensations becomes a playground for generative experimentation.
In “Mannequin Lives,” the boundary between inanimate object and anthropomorphic

subject dissolves under the pressure of algorithms that reinvent posture and gesture. An Aesthetic of Interference.

The images in Stories.AI carve out an ambiguous visual space: photographs that seem to emerge from an electronic dream, or generative renders steeped in analog nostalgia.
“White House Chronicles” reinterprets the iconography of power with distortions that evoke a fictional political scenario.
In “Holy Rebellion,” the sacred merges with the glitch, delivering a vision both profane

and sanctified.

Additional titles—from “The Amazon Wedding” to “Faith and Religion,” from “Mirror, Mirror on the Wall” to “Just Married”—mark the chapters of a visual novel alternating humor and introspection, irony and mystery.​

In Summary Stories.AI is a reflection on the future of visual memory.
It’s a project that no longer asks whether an image is true or false, but only whether it
can still move, provoke, and endure.
In a world where even our memories can be generated, these works—from “The Last Man on Earth” to “We Are Lying”—are what remains of our past... imagined by the future.

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Limited edition of 5 numbered prints. Available in two sizes: 70 cm or 100 cm on the long side.